Ryan Scott

It's not "elevated" horror attempting to reinvent any wheels. It is, however, a very satisfying, very fun, and very well executed scary movie.

It's silly at times. It doesn't take itself too seriously. Yet, it also has something pretty loud and timely to say. It goes hard with the gore when it needs to. The movie feels a little long in the tooth at times, particularly before we figure out what's going on, but that's a minor crime compared to what Nelson got away with here.

I don't know if I could rightfully say that this is the best "V/H/S" movie ever. "V/H/S/2" would have something to say about that. But it absolutely continues the hot streak the series has been on. If they continue to be this good, the franchise could run forever and I'd be happy about it.

Sometimes, you just want to watch a handsome guy try to get out of trouble while taking care of an ornery, fluffy cat. We could use more modern movies like Caught Stealing.

It's a lean, crowd-pleasing ride worth taking. Buckle up for one bad yet wilding entertaining, nail-biter of a date.

It's rare that sequels outdo what came before, but O'Connor manages to do so here. This is pure popcorn entertainment, executed effectively.

This movie veers in some truly wild directions and it's not quite as polished as its predecessor. At the same time, it feels in line with what came before. It certainly doesn't betray the characters or the world Feig has set up.

This movie veers in some truly wild directions and it's not quite as polished as its predecessor. At the same time, it feels in line with what came before. It certainly doesn't betray the characters or the world Feig has set up.

Sanders' ability to interpret the material on the page and turn it into this living painting of a film is nothing shy of a wonder.

Pound for pound, segment for segment, death for death, this is everything we could possibly want from a horror anthology.