Oxman’s directional choices — such as lingering close-ups — are added benefits that enable us to connect more deeply with its characters. And thanks to some very powerful performances from Bateman and Dillon, this isn’t just a story that invites us to explore the effects of childhood troubles. It reiterates that understanding is all we ever truly want and need from others.
Thankfully, Covino and Martin never insult our intelligence by over-explanatory dialogue and lectures. Instead, this talented writing duo focuses on what audiences want: human desire and the wild things we’ll do for connection.
The most interesting and beautiful piece to this puzzle is the fact that Dillane's performance can steer the audience in any direction emotionally and at any given moment.
This story of civic injustice isn’t just a great achievement by the director. It’s a cautionary tale about the repetition of tragic moments in history.
What makes Dossier 137 a fascinating watch is being able to observe a singular character battle all the complexities of morality when it comes to justice, truth, and conflict of interest. Moll doesn’t write Stéphanie with the intent of letting her take the easy way out, which creates some exceptional character study moments.
As a testament to its strong script, Basir’s latest tackles various themes related to addiction, religion, and even manhood. And in its methodical approach towards addressing mental health, To Live and Die and Live defies and exceeds emotional expectations.
This is merely an example of misalignment when it comes to direction and script. Because while Kane’s vision is mostly clear, the execution of this particular script stumbles.
