ShoaibRahaman

A first unmissable, then enduring, but always an unmissable classic. Hannibal the Cannibal. Fast, witty, and jolting

This movie is hilarious! I don't watch Bollywood movies, but I tried this, and god how atrocious that was, such an aggressive love story with a no-brainer and lame stories. God! Had some terrible impressions about Indian movies.

That movie has some illogical and goofy plots, to some these might be nonsense, but somehow, the cinematography, acting, and attention to detail made this movie kinda great. I liked it and would recommend it.

Even it is not perfect, I believe they have exceeded the edge of making a sci-fi well-balanced, either from the storyline and action. Really worthing.

A great mixture of fast-moving narrative and character development is enhanced by some fantastic performances and an energetic score.

That movie was an awesome one, definitely worth a try. And it is a kind of underrated movie. There weren't any no brainer plots or dumb moments, overall a great experience.

Good movie, with some unsatisfying moments and no brainers plots, but overall a great time killer and thriller. Definitely worth a try.

The term ‘sci-fi’ can bring to mind images of mega-budget action sequences and CGI futurescapes; in stark contrast, the most exciting sci-fi in years takes place in the present day and features eight people sitting around a dining room table. Coherence, which is currently garnering much acclaim at festivals and independent showings, is an exceptional (and refreshing) cinematic experience, both as an example of the sci-fi genre and independent cinema in general. Produced on a shoestring budget in director James Ward Byrkit’s house, Coherence manages to blow its big-budget competitors out of the water via a sensational concept supported by a solid cast. When eight friends meet up for an ordinary dinner party, it seems like any other night, until a power cut mysteriously leaves only theirs and one other house with power. Soon the situation becomes disorienting and bizarre when photos and notes start turning up belonging to the dinner party guests, presumably from the other house. The film then descends into an expanding riddle about paranoia and alternate realities, as one character, Em, emerges as the audience surrogate, watching her friends – and herself – fall apart at the seams, in a situation that they don’t understand. Much of Coherence’s success stems from its focus on the central premise – the key idea is so good that it doesn’t bother to waste time with anything else. Aside from a small amount of character set-up in the opening, there are no pauses. All other character development occurs as the story moves along, both lending the film excellent pace and helping the viewer keep up with the increasingly complex story. Coherence also manages to steer almost entirely clear of one of science fiction’s least desirable traits: tedious exposition. A useful snippet of information here and there is all the viewer needs. The filmmakers trust the audience’s intelligence. A major strength of Coherence is found in the performances – each actor creates a character so whole and alive it feels as if they go on living while off-screen, not just puppets illustrating a story. While Nicolas Brendon may be the only familiar face in the line-up (having famously played Xander in Buffy the Vampire Slayer), the entire cast performs exceptionally well. It will not come as a surprise to those who have seen the film to learn that the dialogue was improvised based only on character descriptions and loose scene outlines. This gives the film an outstanding sense of realism, grounding the strange occurrences in a solid and familiar setting. Director Byrkit has several times in interviews acknowledged and cited the Twilight Zone as a source of inspiration, and Coherence certainly has a sense of a modern, feature-length episode of the iconic TV show. One of the things Coherence will leave you with is the tantalizing question of “what would you do?”, not dissimilar to the effect **** Twilight Zone parable. No doubt this will help the film’s shareability no end – it certainly makes the viewing experience a memorable, if haunting, one. This is a film that rewards repeat viewings; there’s a wealth of clues and allusions so subtle they would go completely unnoticed to even the most eagle-eyed first-time viewer. Coherence has been crafted with love and intelligence, overcoming the obstacle of its minuscule budget to prove that real cinema doesn’t need whistles and bells to have an impact. While it has most definitely succeeded artistically, being praised by both critics and cinemagoers alike, the only problem Coherence now faces is reaching the audience it deserves – the production has precious little money for marketing and distribution.

On rare occasions, a movie seems to channel the flow of real life. Boyhood is one of those occasions. In its ambition, which is matched by its execution, Richard Linklater's endearing epic is not only rare but unique.

"It always surprises, never bores. It's also just damn good, on every possible level -- so go see it. Now."

"This is the kind of film that makes you feel intensely alive while you're watching it, and sends you out into the streets afterwards eager to talk deeply and urgently, to the person you are with. Whoever that happens to be."