Two Weeks Notice

Anyone who prefers Hugh Grant and Sandra Bullock to Ralph Fiennes and Jennifer Lopez is bound to regard Two Weeks Notice and not "Maid in Manhattan" as the better candidate for romantic comedy of the season.

It is a lovely, amusing diversion from the start, but the depth of its poignancy by the time it's over comes as a surprise.

If anything, Grant seems to be getting funnier, and he now has the ability to elevate material the way another Grant -- Cary -- did.

Lawrence is fortunate to have appealing pros like Grant and Bullock around to bail him out with romantic chemistry and enough crisply delivered one-liners to survive the barren stretches of script.

A romantic comedy need not be original to work. It just needs, you know, romance. Something to swoon over. What Two Weeks Notice provides, however, is a lot more messy.

It's a botched job through and through, made all the more distressing by Bullock's recent announcement that she's throwing in the romantic comedy towel for a while.

A numbingly unfunny romantic comedy. I hated every minute of it

A lawyer decides that she's used too much like a nanny by her boss, so she walks out on him. (5)

Romantic comedies are not the kind of film I like the most, but they are not the worst film genre. This film, however, turned to be less interesting than I expected. For me, it's forgettable. The script is simple and quite naive: Lucy, an idealistic and combative lawyer who fights for causes and defends the weak, was unusually hired as a legal advisor by George Wade, just that kind of person Lucy used to fight against. She thought it would be an ideal opportunity to defend her ideas and put corporate funds at the service of social causes. However, this irreverent rich man ends up becoming so dependent on her that he is not able to even choose the colour of his tie without hearing her first. Feeling that her tasks are going far beyond what she was hired for and her personal life was being affected, Lucy delivers a fifteen-day notice of resignation. The film is funny, light and has inspired dialogues, full of irony and British humour. Ultimately, its the ability to create a light and cheerful mood that saves the film, because the story told is based on premises so far-fetched that it ends up simply not being credible. From that point of view, the film starts so badly that it can make many people give up in the first fifteen minutes. However, it improves thanks to the strength and talent of the two main actors and their ability to perform the task they were asked to do. One thing that stands out is that most of the action in the film takes place in that fifteen days, after all the rest of the time has been skillfully condensed into about fifteen minutes. This is another partnership between director/screenwriter Marc Lawrence, an expert on romantic comedies, and actors Sandra Bullock and Hugh Grant. I think its needless to talk about the actors talent, as their career and achievements already say everything that is necessary. Both are regulars in romantic comedy films, are good at making this kind of characters and appear in some of the best films directed/written by Lawrence such as "Miss Congeniality", "Do You Hear About The Morgans?" and "Music and Lyrics". Both Bullock and Grant did the job well, but both seem to have limited themselves to doing more of the same, recycling ideas from other films and characters. Alicia Witt was also an interesting addition to the cast, small but effective. Technically, the film is regular, not to say average. Personally, I would highlight only a discreet cinematography with no noticeable effects, but that uses the urban setting where everything unfolds and leaves space for the actors and history, in addition to an effective soundtrack.

This film plays to its two strengths, Bullock and Grant. Their charm and chemistry cause you to look more favourably upon the run-of-the-mill rom-com occurrences going on around them.

Tired, dull and to be honest nothing but pure trash. The wooden dialogue and acting, the complete dearth of anything funny and a lack of anything at all that resembles originality combines to produce this mess.