Rebel

Adil and Bilall clearly care about the story they’re telling, but their penchant for maximalism (they list “La Haine,” Malcolm X,” City of God,” and “JFK” as touchstone films) ultimately betrays the most emotionally affecting moments in Rebel.

At best, this drama picks apart the Islamic State’s nefarious recruitment tactics, taking on the fresh perspective of a Muslim family in Europe. These dynamics are rich, and the consequences agonizing — so it’s too bad the filmmakers seem to think that the bigger the spectacle, the more powerfully communicated this whirlwind of politics and emotions. The opposite is the case.