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SummaryAsking for an Evanston, Illinois paper at an L.A. Out-of-Town newstand, Aldo Ray flinches when the lights go on. James Gregory, carefully watching him from across the street, crosses over and after bumming a light, catches a bus. When model Anne Bancroft takes the seat next to him at a bar, she promptly asks for a loan of five dollars, then Brian... Read More

Nightfall

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Metascore
Available after 4 critic reviews
tbd
50% Positive
1 Review
50% Mixed
1 Review
0% Negative
0 Reviews
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80
Village Voice
Not only a nifty late noir but a model of economical filmmaking--well-sketched atmosphere, deft characterizations, and a 78-minute running time.
60
Time Out
Focus, instead, on the perks that Nightfall does offer: You still get the criminally underrated Aldo Ray trading hardboiled barbs with Anne Bancroft (“I’m a painter.” “Soup cans or sunsets?”); Brian Keith and Rudy Bond’s giggly good-thug-bad-thug double act; and the joy of watching beefy guys in boxy suits dangle cigarettes off sweaty lips and talk tough.
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User score
Available after 4 ratings
tbd
100% Positive
3 Ratings
0% Mixed
0 Ratings
0% Negative
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Jan 20, 2025
8
KenR
Nightfall – Suspense Drama with Noir Flair. Who would have expected a film that runs for under 80mins to have such ‘A grade’ credentials? Nightfall is such a movie. With credits starting with Ted Richmond and Tyrone Power’s Production Company, it then boasts Jacques Tourneur as director (Out of the Past ’49). Then comes the top-flight cast; Aldo Ray, Brian Keith, and a lovely, youthful Anne Bancroft, supported by well-known character players. Now add cinematography by the great Burnett Guffey (All the Kings Men ’49 etc, etc), a screenplay by Stirling Silliphant (Charlie ’69) based on David Goodi’s robust novel. It has the earmarks of a film intended as a main feature that, for some reason, ended up being a support for a double-feature bill - it also keeps the viewer engaged with a series of compelling, tense situations. While there are a couple of strange plot gaps, it flows at such a pace these can be somewhat overlooked. Lovers of fifties noir dramas won’t be too disappointed with this quite rare offering, and Ray does well as the everyman thrown in at the deep end, hiding out for his life.
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  • Copa Productions
Jun 11, 2010
1 h 18 m
YOU COULD GO TO THE MOVIES EVERY DAY FOR FIVE YEARS---BEFORE YOU'D SEE ANOTHER PICTURE WITH SO MANY THRILLS AND SO MUCH SUSPENSE! (original print ad - all caps)
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