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SummaryIn Miami’s Little Haiti, Xavier (Atibon Nazaire) makes a living as a demolition worker while his wife Esperance (Sheila Anozier) holds down two jobs to sustain their cozy household. Their routine is tested when their son Junior (Chris Renois) returns home after dropping out of college. Xavier and Esperance struggle to relate with Junior, who is n... Read More

Mountains

Metascore
81
User score
Generally Favorable
7.0
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Metascore
81
93% Positive
13 Reviews
7% Mixed
1 Review
0% Negative
0 Reviews
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  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Oct 1, 2024
100
New York Magazine (Vulture)
Mountains is a film smart enough to forgo simplistic melodrama or narrative neatness. It’s the kind that dares us to look back and consider what it means to create a home away from the shores where you were born, in a country hostile not just to your betterment but to your very survival.
Sep 25, 2024
91
Original-Cin
In this nuanced and often joyful film, the only violence involves the recurrent crash of bulldozers through stucco and timber walls as the neighbourhood transforms and some dreams get crushed as well.
Aug 22, 2024
88
RogerEbert.com
Partly a tribute to the routine occurrences that collectively make a place feel like one belongs, Monica Sorelle’s delicately galvanizing slice-of-life debut “Mountains,” set in Miami’s Little Haiti neighborhood, overflows with such details.
Jul 30, 2024
80
The Hollywood Reporter
Even when Mountains’ narrative, which often feels more like a series of beautifully conjured vignettes, doesn’t hit its full potential, the way Sorelle thinks of gentrification rewards our close attention.
Oct 8, 2024
75
Movie Nation
Sorelle and her documentary-real characters and the grounded unknown players playing them humanize their culture and show us their challenges are versions of all our challenges, no matter how many generations removed from it we think we are.
Aug 15, 2024
75
Slant Magazine
Mountains interprets leisure not so much as the opposite of work or struggle, but a stance that can and should suffuse each moment of life, not discounting those we sell to make a living.
Aug 22, 2024
60
The New York Times
As a drama, Mountains, whose characters move fluidly between English and Haitian Creole, is too low-key to leave much of an impression. But as a portrait of intergenerational tensions in an immigrant family, it is poignant, and it captures an area of Miami that is rarely seen onscreen.
See All 14 Critic Reviews
User score
Generally Favorable
7.0
80% Positive
4 Ratings
0% Mixed
0 Ratings
20% Negative
1 Rating
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Sep 2, 2024
7
Brent_Marchant
When an established community (and its associated culture) begins to disappear, its constituents (particularly those who come from an immigrant background) start to experience a palpable sense of passing into oblivion. At the same time, though, some of the residents of those neighborhoods are faced with the dilemma of having to ask themselves, “Am I part of the loss or part of its cause? And, in either case, how do I deal with the outcome and my role in it?” Such is the case for Xavier (Atibon Nazaire), a structural demolition worker who resides in Miami’s Little Haiti neighborhood with his wife, Esperance (Sheila Anozier), and his adult son, Xavier Jr. (Chris Renois). The community is rapidly and aggressively becoming gentrified with each building that’s being bought up and hastily torn down to make room for new development. Xavier relishes the good money he’s making from a job whose impact he either can’t or won’t acknowledge, even when he sees the consequences of what comes from it all around him, his immediate and extended family, and the friends, neighbors and fellow countrymen of this long-settled immigrant community. It ultimately gives him pause to reflect on his past and to give thought to his future and that of subsequent generations of his people. Writer-director Monica Sorelle’s debut feature quietly yet powerfully tells a story typical of many urban neighborhoods and the effects such transformations have on the local culture, shown here through a vibrant panorama of sights, sounds, music and colors, as well as the emotions of those who live in these areas. Their expressions of hope, joy, disappointment and regret are poignantly displayed through simple gestures, revealing facial expressions and telling body language, speaking volumes often without saying a word. While the picture can at times feel a little too “slice of life” for its own good (and leaving viewers wondering where the story may be headed), it ultimately conveys its messages through its fine performances, gorgeous cinematography and skillful film editing. As the nominee of two 2023 Independent Spirit Awards (including a win for the director in the competition’s “Someone To Watch” Award category), as well as numerous film festival award victories and nominations, “Mountains” is an impressive start for a filmmaker who clearly has much to say and a knack for knowing how to effectively say it, especially when it comes to speaking for those who may not have a readily accessible voice of their own.
See All 5 User Reviews
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Tribeca Film Festival
• 1 Win & 2 Nominations
Blackstar Film Festival
• 1 Win & 2 Nominations
Film Independent Spirit Awards
• 1 Win & 2 Nominations
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