June Zero

As Paltrow (Gwyneth’s brother), who directed the film and co-wrote the screenplay with Tom Shoval, makes his own case that history is built of small, individual actions that tend to be overlooked, he allows himself a bit of gallows humor.

It's fragmented by nature—a work of impressionistic moments in which intellectual and philosophical ideas are considered, and powerful emotions summoned and then allowed to dissipate.

June Zero is a tender, if sometimes cynical, portrait of a new country on old land struggling through the growing pains of establishing its presence both to the international community and its own people.

June Zero is a film as a conversation piece. It may not be especially articulate at moments, it may not be as focused as it could be. But some of that is by design: This is a film with questions, not answers. Its tangents are like those of any meaty conversation. And it’s a conversation worth having.

Overall, June Zero is a worthy film that follows delayed justice coming to a Nazi war criminal, bringing to the surface events of the post-war that aren’t well known.

Although the changes in tone don’t always work, and the third segment towers over the rest of the film, there is something to be said for filmmakers willing to approach history as something malleable.

Though it occasionally brushes up against intricate ideas about memory and memorialization — who gets to be commemorated, who must not and the genesis of the “never forget” ethos — June Zero itself leaves a quickly fading impression.