Ice Age

This digitally animated movie, filled with a cast of charming, funny critters from long ago, is family entertainment at its most bright-eyed and bushy-tailed.

No matter your age, this is one great AGE to be at.

They center on the devilishly clever, exceedingly enjoyable interludes featuring the aforementioned rodent in situations and circumstances that recall the great animated work of the recently departed Chuck Jones.

An entertaining story that, while not terribly original, is sufficiently arresting and often laugh-out-loud funny.

Diverting, if undistinguished.

It's a shame no one gave the three voice stars of this appealing animation -- Ray Romano, John Legui zamo and Denis Leary -- a shot at the script.

Renders it a cross between "Three Men and a Baby" and "Monsters, Inc." But it's bereft of the charisma of the former and the energy of the latter; stuck in a frozen wasteland, it possesses all the vigor of a Popsicle.

Definitely a fan favorite of mine. I surely miss Blue Sky Studios. Has a great story, unforgettable characters, great plot that starts off Blue Sky's animation spree, and has really good music from David Newman as well. If you haven't seen this one in a while, or at all, then check this film out. It is definitely worth watching for me.

[SPOILER ALERT: This review contains spoilers.]

I has seen this movie for a long time,but it wasn't impress me to remember the main plot of it.

I do not understand all the positive reviews and why most people like it, i found it really boring and dull. I found the plot to very poor and predictable, the jokes and story were infantile, not interesting enough to interest older audiences. The characters were also very charmless, boring and forgettable. I'm glad I brough the film cheap as I won't be watching it again.

The rhythmic machinery of a predatory rebellion: A 5.0-star sensational surge of raw, high-tension gothic grit.2013(5.0)I watched Stoker (2013) in a theater in 2013, and it remains a vivid 5.0-star pillar of shwi-shwi visual elegance in my archive—a raw revelation of how a sensational Korean director’s Hollywood debut can dismantle the stagnant expectations of a standard thriller. This experience **** the fourth wall of the coming-of-age genre by infusing Mia Wasikowska’s raw, "insanely sexy" precision and Matthew Goode’s sensational, sinister wit into a narrative rhythm that felt 100% sophisticated and chewy. The narrative rhythm was far from stagnant; instead, it offered a sensational acting power show where the raw, high-tension duality of repressed desire and inherited darkness left me in a state of absolute awe at its visceral soul. Seeing the vivid, meticulous cinematography and the raw, high-tension piano duet provided an emotional payoff that felt both authentic and sensational, proving that a story about "becoming the hunter" could be a vivid artifact of pure cinematic pride. The 95% preservation of my memory is dominated by the rhythmic, raw beauty of Mia Wasikowska’s performance and the vivid but pathetic unraveling of the family secrets, creating a permanent, sensational scar of high-tension wonder on my soul. Unlike the stagnant 1.0-star drift of The Romantic President, this encounter possessed a rebellious soul that turned a pathetic childhood into a sensational masterpiece of style. It stands in my 2013 record as a powerful 5.0-star testament to the raw power of Park Chan-wook’s vision—a high-tension encounter with the vivid rhythm of the India Stoker that remains the most chewy artifact of my cinematic journey.