Erupcja

Relationship dynamics can entail a lot of work – sometimes more than we’d like to deal with. As a consequence, they might make us feel trapped, despite whatever apparent comfort they otherwise might provide. And that, in turn, may prompt us to desperately search for an escape, one that offers little resistance but is riddled with impulsiveness, an abrogation of responsibility and unquestionable indifference toward the hurt it may cause. Indeed, it might be all too easy to disregard such fallout and proceed with an all-too-messy exit, no matter how devastating it can be. That’s a prevalent theme in the latest feature from writer-director Pete Ohs, the story of a cold, distant, anxious British tourist, Bethany (Charli XCX), on a supposedly romantic getaway to Warsaw, Poland with her boyfriend, Rob (Will Madden). Rob had originally wanted a storybook amorous adventure in Paris, but he willingly changed plans when Bethany suggested – surprisingly – that they experience the romance of Warsaw instead. (Warsaw?). The recommendation admittedly puzzled Rob, but he agreed as long as it would still fulfill his secret plan for making a marriage proposal. However, not long after they arrive in Poland, it becomes apparent why Bethany made her suggestion: it provides her with the means to meet up with an old flame, Nel (Lena Góra), whom she first met when they were teenagers and have had occasional flings together over the years. And, after only a few days, Bethany essentially abandons Rob to spend all her time with Nel, circumstances that she freely pursues and that leave Rob understandably puzzled. Bethany tries to justify her behavior by citing a timely eruption of Mt. Etna, an uncanny synchronicity typical of what happens whenever she and Nel get together. It seems that their reunions are always characterized by the impactful eruption of a volcano (usually somewhere nearby). Bethany and Nel unapologetically draw upon these decidedly less-than-subtle symbols of unleashed eroticism to rationalize throwing caution to the wind, no matter what comes from it (as if that’s somehow OK). It also symbolizes the release of chaos that leaves all personally susceptible apple carts sufficiently toppled. Not only is Rob left out in the cold, but so is Nel’s girlfriend, Ula (Agata Trzebuchowska). In essence, the “boring” nature of Bethany’s and Nel’s partners provides a dubiously convenient basis for their respective abandonments. But, while their contentions may be valid, are they truly burdensome enough to callously justify such actions? That’s the message here, and it’s depicted bluntly, without sugarcoating. And, as tactless and questionable as these situations might be, this torrid, sordid comedy-drama is nevertheless unabashed in candidly capturing them, scenarios that happen more often in everyday life than many of us would like to think (or openly acknowledge). As Pride Month/LGBTQ+ cinema offerings go, this release may not be typical nor as fully fleshed out as it could have been (especially in the somewhat meandering opening act), but its economic narrative and brisk 100 runtime are well suited to the nature of what the filmmaker has ultimately created. In many regards, the film also echoes the overall approach and many of the elemental details found in Woody Allen’s “Vicky Cristina Barcelona” (2008) but with a gay twist. “Erupcja” is thus one of those pictures that may make some viewers feel like they need to bathe after watching it, but one can’t deny its brusque frankness, and that can prove a valuable insight if we’re ever faced with comparable circumstances in our own lives.