Shaina Weatherhead

'The Home' is a lame horror misfire saved only by its unhinged third act.

Sarah Friedland's directorial debut is a visually striking but shallow exploration of dementia.

If you come solely for the comedic stylings of four powerhouse actors, Mountainhead will certainly win you over if you don't take it too seriously. But should you expect a scathing takedown of Big Tech's best and brightest, the movie will act largely as a reminder that watching a bunch of rich guys spout off ignorant crap inevitably gets old and adds nothing to the conversation.

An unrelenting and visceral experience, Julia Max's feature film debut boasts unique and enthralling horror that is more than worthy of haunting your screen.

This documentary combines stunning visuals, an important message, and, of course, a precious protagonist to tell a powerful story of friendship, healing, and love.

Bryce Dallas Howard imbues Pets with so much heart that it transcends from a pleasant fluff piece to an honest and thought-provoking look at life and loss... while still being pretty damn cute.

Overall, The Electric State doesn’t hold a candle to any of its esteemed cast’s other films, but impressive visual effects and great music help it from being a totally pointless foray into the wasteland.

Set to be released alongside an accompanying documentary and book, this film feels more like a way to peddle Christianity under the guise of good faith, made worse by confusing creative choices and a painful lack of self-awareness.

Renner lands as a forgettable and tedious watch, made worthwhile only by surprisingly dynamic performances from the small ensemble cast.

While the unique shooting style and the talents of Dynevor and Ifans should have set the film up for success, the underdeveloped characters and underwhelming twists render Inheritance a tedious watch rather than a gripping espionage action flick.