junjinights

Horror can be ontological too. Witchcraft is a theme that was always romanticized through centuries. In this masterpiece, Polanski put this theme in the american society of 60s and the results are pretty creepy.

A terrible nightmare in a wonderful city like Venice, Italy. The author is capable of using the narrow streets and the typical winter fog of northern italy to create a terrifying atmosphere where he could set the whole plot. Tension is always high and it feels like venice knew what was gonna happen in that movie. Incredible.

Watching Mulholland Drive is like being stucked in a neverending oniric realm where you cannot recognize if you are living in a dream or in a nightmare. I think it's Lynch at his best. The movie's aesthetic is unmistakable: it's directed by david.

Titanic has everthing a story needs: love, death, lies, tragedy, disasters, hope, class struggles, pain and happiness.

Spring Breakers is talking with us through aesthetic. Korine's movie is an iconoclastic masterpiece who paint on screen the nihilism that the youngsters are currently living in USA. It feels like a music videoclip rather than a movie and - I think - it's the first opera in cinema history with this vibes. There are no dialogues just monologues. This is brilliant too. I wish people could understand the deepest meanings ofy this movie. They're hard to see, but when you see 3 disney princess pissing on the street, you can grasp it. For me it's a ten.