SummaryAbandoned by her fiance at the airport, a young Russian woman, with child in tow, applies for asylum in England. With her dreams of a better life dampened by the faded seaside resort she must live in during the processing, an unusual friendship develops that gives her hope. [Shooting Gallery]
Directed By:Pawel Pawlikowski
Written By:Rowan Joffe, Pawel Pawlikowski
Last Resort
Metascore
Generally Favorable
80
User score
Generally Favorable
7.0
My Score
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Metascore
Generally Favorable
80
100% Positive
21 Reviews
21 Reviews
0% Mixed
0 Reviews
0 Reviews
0% Negative
0 Reviews
0 Reviews
100
Thanks to the wonderful performances from both Korzun and Considine, there isn't a forced or dishonest moment on-screen.
89
Maddin's movie is, frame for frame, the densest and most spectacular (albeit cardboard-cheap) film playing anywhere.
80
Sweet, melancholy comedy; it's ineffable charm lies entirely in the delivery.
80
Unsatisfying at a very high level. It fritters away more than most movies ever offer up.
75
Quiet, finely etched and beautifully acted by Dina Korzun and the wise-beyond-his-years Artiom Strelnikov.
75
A must-see.
70
Pawlikowski, whose background is in documentary film, has an eye for the menacingly forlorn and elegantly bleak. Last Resort, which was shot without a script and developed largely in collaboration with the actors, is a kind of verité fantasy.
User score
Generally Favorable
7.0
80% Positive
4 Ratings
4 Ratings
0% Mixed
0 Ratings
0 Ratings
20% Negative
1 Rating
1 Rating
Feb 27, 2019
8
Stay For One More Night. Last Resort Pawlikowski has a certain theme in his films. Never changing and yet always inspiring in its new dimension that it is confined in, Pawel Pawlikowski; the co-writer and director, manages to whisper a love story in every tale of his. Back dropping the entire romance in a political satire, he jolts down each moment into an antic that it can thrive upon. Speaking fluently at the brisk of almost seventy five minutes, he has a lot of ground to cover, in this one short sprint. The brooded figures analyzed in here has a mature levity in them, in a way that isn't humorous, but fascinating and expressive about their behavior. Tanya our host of this temporary stay in a new world played beautifully by Dina Korzun, who is surprisingly far better whilst being goofy and silly around her companions, rather than sulking alone in a room. She gazes her child and the film somehow seems complete in its entirety. The fear goes away, along with all the threats and troubles, the chemistry crafted by her is enough to speak for all of them. But personally, I feel for Alfie (Paddy Considine), he is the real backbone of the film and our protagonist, he is supporting without any questions or any trade, he is so good a character, that he seems superficial, sort of a fragment of Korzun's imagination. And her kid too has something to fill in, something to say, and that very character proves Pawlikowski's attempt of completing the circle, the script, to its full. Although, the theme explored are often dark in his films, there is a sweet innocence in its deeds that doesn't let go of your hand. Last Resort is neither the first nor last, it is a vital, memorable one that can't be replaced.
Awards
Thessaloniki Film Festival
• 4 Wins & 4 Nominations
British Independent Film Awards
• 4 Nominations
Edinburgh International Film Festival
• 2 Wins & 2 Nominations





























