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SummaryTommy Riley has moved with his dad to Chicago from a 'nice place'. He keeps to himself, goes to school. However, after a street fight he is noticed and quickly falls into the world of illegal underground boxing - where punches can kill.

Gladiator

Metascore
49
User score
Generally Favorable
7.6
My Score
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Metascore
49
37% Positive
7 Reviews
53% Mixed
10 Reviews
11% Negative
2 Reviews
  • All Reviews
  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
75
San Francisco Chronicle
The Gladiator script by Lyle Kessler and Robert Mark Kamen has been thought out carefully, and only during the climactic fight does it seem contrived when it becomes a parable about corruption. Ultimately, the film was designed to stir up our juices, and it succeeds. [6 March 1992, p.D1]
75
Chicago Sun-Times
What he has here is a story that probably cannot be believed in any conceivable level, and yet, to give him his due, he tells it with such conviction that it works anyway.
63
Boston Globe
When the action shifts inside the ropes, which happens often, "Gladiator" pulses with energy, and Marshall shines. Boxing purists may wince at the freewheeling fisticuffs - there is enough kicking, eye-gouging and head-butting going on to make viewers wonder why anyone bothered with a referee - but the electricity in these scenes is undeniable. [6 March 1992, p.31]
50
Seattle Post-Intelligencer
First there was "Lionheart," with Jean-Claude Van Damme as a young innocent who gets caught up in the nefarious business; then "The Big Man," an Irish film with Liam Neeson in the same predicament, and now "Gladiator." This latest clone is probably the best of the trio in terms of acting and production values, but if you've seen one you've seen them all. And they're all essentially one long sequence of people pounding each other to hamburger, interspersed with cliches. [6 March 1992]
50
Rolling Stone
Here's the movie of the month for those who like their escapism big, brutal and brainless. Two fine young actors – James Marshall (Twin Peaks) and Cuba Gooding Jr. (Boyz n the Hood) – have inexplicably agreed to strike suitable-for-leering poses in their underwear while director Rowdy Herrington (Road House) devises other distractions from the idiotic plot.
40
Variety
Marshall, cast as the new kid in school, is sullen and far too low key through much of the picture. Director Rowdy He§rrington, who poured on the trash in Road House, aims for a grittier feel this time, with dull results.
25
Chicago Tribune
The movie`s underlying message seems to be that racial harmony can best be achieved by allowing white boys to beat the stuffing out of minority kids- that`s what really earns their love and respect. There must be a better way.
See All 19 Critic Reviews
User score
Generally Favorable
7.6
71% Positive
5 Ratings
29% Mixed
2 Ratings
0% Negative
0 Ratings
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  • Positive Reviews
  • Mixed Reviews
  • Negative Reviews
Dec 8, 2023
9
Shokkerz
Never mind the poor reviews, this is a kick ass movie, a real throwback to 90's gang/high-school movies where you have a baddie boxing promoter and a high school kid trying to pay off his Dad's debt and that's where the two collide, violent, total cheese at times, but really solid performances and a great soundtrack make this b movie as entertaining as its big budget compatriots. If you want to be entertained for 2 hours, look no further....
See All 7 User Reviews
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  • Columbia Pictures
  • Price Entertainment
Mar 6, 1992
1 h 41 m
R
Nobody owns Tommy Riley. Nobody.
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