A Very Brady Sequel

Highly entertaining.

A Very Brady Sequel isn't quite as successful as its big-screen forerunner. The contrast between the time-warped Bradys and the '90s world around them seems a little forced here, and the sexual double entendres - and there are lots of them - are almost painfully arch. But the cast is dead-on in its impersonations of the original Brady gang, great pains have been taken to re-create the cheesy pop furnishings and fashions of the 1970s, and the writers have crafted some inspired bits of lunacy, even if more than a few of the gags are destined to rocket right over the heads of non-aficionados. [23 Aug 1996, p.03]

Delivers diverting comic fluff for the bland clan's fans. [23 Aug 1996, p.8D]

A Very Brady Sequel is a little like the meatloaf prepared by Alice, the Bradys' maid - padded, but palatable. It walks a line between evoking the old TV show and kidding it and it's as surprisingly lively a sequel as the original was for a big-screen treatment of an old TV staple. [23 Aug 1996, p.F4]

I must admit that, all things considered, it's not bad. In fact, I liked it almost as much as the first one, which I thought was vaguely enjoyable, if somewhat too long. [23 Aug 1996, p.17]

At the very least the film can be congratulated for being anarchic enough to explore an attraction between the two oldest Brady kids, Marcia and Greg.

Hideously directed with all the comic subtlety of Oliver Stone on speed, A Very Brady Sequel misses almost every single mark it sets for itself, from the disastrously ill-conceived animation that marks Roy's hallucinogenic mushroom trip at the family dinner table to the persistent background hiss on the film's soundtrack. Even Sherwood Schwartz would've hated this dog.

I like Jan. She's hot. In one episode of the show, she's on her bike and I got to see her panties.... though I wish she wasn't wearing any at all >:)

If you thought the 1995 movie **** and was cringeworthy, you best pass on this cash grab. Anything after this series ended was made just for money, not because anyone cared how they would turn out or if they improved the show’s legacy. You’re better off watching better movies by people who care about the fans and the shows they make.