Samantha Bergeson

I Love You Forever unfolds like a documentary to those who have lived a similar experience — and a stalker horror movie to others.

As a holiday rom-com, however, The Merry Gentlemen is sorely lacking the sparkle and comfort that is found in so many other recent holiday movies like it.

The Line is a must-see for a peek behind the coke-filled sheets of fraternities, well, everywhere.

King can’t really play a teen anymore, and the message of non-conformity feels stale, in the YA adaptation space and beyond. This trend, much like shifting beauty standards, is already on the way out.

The Fabulous Four might feel like a series of math problems that don’t quite add up, but it’s still an enjoyable time at the movies — especially if you choose to gobble down gummies at the same rate as the “geriatric” cast of Jocelyn Moorhouse’s raucous comedy.

With A Family Affair, Efron picks up where “17 Again” left off, and it’s a delight to see this former teen heartthrob back in a similar mode.

Watching Cho, perhaps on the same search as the filmmakers — for profundity, for catharsis — is always an entertaining experience, and a reminder of her curiosity as an actor more than the sum of her stand-up parts.

Leguizamo may give one of his career-best performances in the feature, but it’s Ferreira’s surprising command onscreen that is the most memorable.

The rom-com genre lives and dies on its tropes, because we love them and they’re comforting, but the lack of originality smarts here.

Mendes’ likability (and relatability) almost mirrors Amanda Bynes’ Hollywood reign during the “She’s the Man” and “Sydney White” days. Upgraded is essentially “What a Girl Wants” meets “Devil Wears Prada” with a dash of “Emily in Paris” camp. The combo makes it one of the easiest rom-coms to digest as of late.