James Marsh

The action in Cold War 2 - again overseen by Chin Ka Lok - is far superior to its predecessor.

The veteran Hong Kong director makes his audience wait for the promised fireworks, and Three’s flimsy premise never quite captures the grounded realism of Drug War or Election, or the visual flourish of Exiled or Vengeance.

A sequel in name only to Wilson Yip’s 2005 film, Soi Cheang’s SPL2: A Time For Consequences nevertheless recaptures the exhilarating energy of the original.

Big-name stars and dazzling visuals leap off the screen in eye-popping 3D, while the most recognisable chapter of China’s most-beloved literary text plays out in exuberant and energetic fashion. The Year of the Monkey could not have asked for a more enthusiastic welcome.

Newcomer Jelly Lin brings a delightfully quirky demeanour to her literal fish out of water.

Clocking in at just 96 minutes, Sword of Destiny feels heavily truncated, lacking in narrative substance. Scant characterisation and timid action choreography don’t help matters, while an over-reliance on simple sets and CGI landscapes mean Grant Major’s (The Lord of the Rings) production design lacks the resonance of the previous film.

Slick production values and stylish directorial flourishes help make Detective Chinatown an effective and entertaining buddy cop comedy.

While the sub-par effects make it difficult to become fully immersed in the tomb raiding exploits of the Mojin, the rivalries, romances and camaraderie between the central trio do hold water and help sustain the film’s forward momentum.

This time, celebrated action director Yuen Wo-ping, taking over from Sammo Hung, ensures the film’s fight sequences remain the film’s primary focus, although the overall tone is smaller and quieter, reflecting both the personal drama Ip Man encounters and Donnie Yen’s own encroaching retirement from kung-fu cinema.

Core’s incarnation of Point Break is about one thing, extreme sports, and it is no small relief that the film at least handles those sequences well.