Anita Singh

The series kicks into gear around halfway through as we learn the mole’s identity, backstory and motivation. This is engrossing in a way that the cyber stuff isn’t.

Ride or Die is to be enjoyed for its two central performances and the chemistry between them. Spencer has serious acting chops and an Oscar under her belt but she also excels at comedy. As for the larger-than-life Waddingham, her charisma and energy power the whole adventure.

Stymied by the need to appeal to a family audience, this Little House is merely bland. .... You won’t be able to shake the feeling that this was made for an audience with modern – ie. short – attention spans and a desire for social media likes.

A cute but pointless series with a premise that renders the 2001 film illogical.

There is zero chemistry between the two actors, which makes Izzy nothing more than a plot device. The relationship makes no sense.

There is a thriller element holding the story together. .... You will spend as much time gawping at the wealth as worrying about the characters.

It’s The Goonies for senior citizens, full of warmth and never taking itself too seriously.

The small-town eccentricity also seems forced, but what saves the show is the quality of the performances. .... The opening whodunnit is crisply written and the cast have fun.

Neil Forsyth (the writer of Guilt and The Gold) has turned this little-known episode in British history into a sure-footed six-part thriller. You will never stop marvelling throughout at the fact that it really happened.

There is no shortage of programmes this month marking Sir David Attenborough’s 100th birthday, but Making Life on Earth: Attenborough’s Greatest Adventure (BBC One), is the best.