Kings

So far, that universe is pleasingly treacherous, though not ?wholly formed, a work in progress that's worth seeing through to completion.

Happily, this generally well-told tale of a modern-day king and his restive court has more going for it than a charismatic performance from the dependably wonderful “Deadwood” star.

Kings is fascinating pretentious hoo-ha.

Despite a wonderful cast put to good use, a very well-designed parallel world and some marvelous turns of phrase, I can't help admiring Kings more than I actually liked it.

The language on Kings is similarly stilted but lacks "Deadwood" writer/producer David Milch's passionate and intellectual punch. King Silas may not be as deliciously Machiavellian as Al Swearingen, but McShane does deliver--and he cleans up well.

NBC deserves points for trying something different, but the results are often pretentious and silly. The best moments belong to Egan, who handles his chores simply and directly.

If only Green had not made such a cold, bland stew of such rich and tasty ingredients.