Primetimer

The show’s as sharp as ever in “Soldier of Illusion,” the two-parter that opens Season 4. As pure entertainment, it adroitly combines a high concept with lowbrow humor, including Alexander Skarsgård in a role that might take you back to his orange mocha frappuccino days. And like so many of the best Documentary Now! episodes, it shines because it’s remarkably ambitious. ... Documentary Now! has pretty much perfected that formula [satirizing something both highly specific and kind of obscure can yield incredible results].

The documentary does an admirable job of capturing those early days without a wink or sneer. ... I Love You, You Hate Me expertly marshals different pop-culture voices to explain how the anti-Barney sentiment bubbled up so easily. ... In the end the show makes a surprisingly persuasive case that maybe the Barney backlash of 30 years ago was the canary in the coal mine — that it served as an early warning of what a culture steeped in irony and conditioned to react caustically to everything on a screen could become.

When the show focuses on the reward and the struggle of the work, it’s fabulous. ... Even if it can get preachy, Alaska Daily’s warp-speed dialogue and efficient, network-TV execution ensure that viewers won’t get too bogged down in sermonizing.

Scott Prendergast's script ably sets up the mother-son dynamic that is the lifeblood of the show. Harden and Astin do the rest, alternately annoying and looking out for each other. As they bicker, they find a pleasant rhythm that carries us through the case at hand.

Freeform is airing four episodes of The Come Up tonight. That and the show's curious late-summer timing suggests a lack of faith on the part of the network. Despite excellent casting, that lack of faith seems justified.

Between the taut plotting and the dark laughs, The Patient is expertly calibrated to lure viewers in. Episode 1 takes just over 19 minutes, and the run times grow slowly from there, along with the need to keep seeing how things will turn out.

Like any good iteration, Mo takes its audience places the original [Ramy] didn't.. ... If you're expecting a series about a Palestinian refugee living in a U.S. border town to have its political moments, then Mo won't disappoint. Having said that, the show's greatest virtue may be that it rarely forgets that it's a fast-paced, breezy sitcom that doesn't linger too long on our conscience.

The resulting first season of this docuseries does not disappoint. Even if you know nothing about soccer or British club sport, if you like a good underdog story, this one will play its way right into your heart.

Ridley and Cuse have taken Fink's investigation into those fateful days at Memorial and turned it into a spellbinding visual narrative — easily the best limited series of the year so far.

This is a revival done right. ... The reality is that the show's appeal comes less from any deeper statement on TV culture than from its relatability. There's a little piece of these doofuses in all of us.