Nintendo Life

Constance is an example of one of the hardest things in gaming. To take ideas established four decades ago and use them to say something different and interesting is a wonderful feat worth celebrating. Constance has something to say, and it says it well. There are flaws in the moment-to-moment gameplay, such as its bosses and a few tedious platforming sections, and it’s not something that’s going to completely rock the Metroidvania space, but it doesn’t need to. It's a much-needed reminder of the joys of concentration and an antidote to an overstimulating world. This is an easy recommendation to any Metroidvania fans who want something familiar to spend 10 hours on. Those a bit more wary of the genre might find themselves less enchanted, but Constance is absolutely worth playing for its visuals and ideas alone.

With a patch or two, this one could be worth investigating, but for now, maybe stick to other platforms.

Much like the breeding and fusion system at the heart of its teambuilding, Monster Crown: Sin Eater is a satisfyingly iterative improvement over its predecessor, refining the systems and strengths it introduced while tossing the things that held it back from being great. Deep party customisation, a surprisingly in-depth story, beautiful GBC-esque visuals, and a killer soundtrack all combine to make this one worth a punt, even if some growing pains with the open-ended design can sometimes drag it down a bit. I’d give this one a recommendation if you’re looking for something to ease your pain after the Pokémon Champions launch. Sin Eater was made with lots of love and hopefully will form the basis of more adventures in this fascinating world.

Initially, I wasn’t sure how well the mixture of influences and styles was working, but it’s a testament to the attention to detail and polish that’s gone into the whole production that Mouse: P.I. for Hire achieves such a high score. The story takes a bit of time to become truly gripping, but it does so at the exact same time as the combat and style reach new levels of quality, and I couldn’t help but be impressed. While I can’t say I am stunned or in awe of the clue-collecting, I very much enjoyed my playthrough. Mouse: PI for Hire feels fresh and fun, and I only have praise for the whole team who produced it. This animated noir mystery is a great achievement. It takes risks, it’s challenging, it strives to be bold - and it works.

Sigono has proven once again that it understands powerful emotional storytelling with OPUS: Prism Peak, a game about self-reflection, acknowledging what’s come before, and moving on. It’s the most Studio Ghibli-like game I’ve ever played, in a way that goes beyond aesthetics. If you’re not careful, it’s easy to miss some crucial unlockables and some of the game’s best moments; a second run-through might be quicker, but it still requires you to play at a particular pace. And the Switch 2 isn’t the best way to play at the time of writing, but once it’s fully developed, there are few better story and character-driven experiences on the console than this.

I had a good time with Alien: Rogue Incursion Evolved Edition. It finds a strong balance between the slower, more stealth-oriented gameplay of Isolation and the frantic action seen in Fireteam Elite, blending classic Alien combat with some light puzzle-solving. Visually, it lacks a lot of detail for my liking, but the faithful art design just about holds it together. Its biggest sin, however, is that the impact of the Xenomorphs quickly diminishes thanks to the frequency at which they appear. They also just look kinda goofy, I won't lie. Still, as a fan of the series, the story, atmosphere, and sound design hit the right notes for me.

The star of the show, of course, is the music. Naturally, it leans heavily into typical ‘80s-themed synth tracks, but they all work wonderfully well, and I started bopping my head immediately. If you’re a fan of rhythm games in general, I’d urge you to give this a shot, but just be mindful that it can be pretty brutal, so be prepared to hit ‘continue’ a lot.

Ys Memoire: Revelations in Celceta is a good entry in the long-running action RPG series, but it’s far from the best. Despite the game’s title, the plot is forgettable but the explosive combat, charming characters, and booming soundtrack are engaging enough to keep your attention until the credits roll. Adol has had more memorable adventures on Nintendo Switch, but mapping out the Great Forest of Celceta is still a fun time.

If you’re going to create a deckbuilder out of Vampire Survivors, I think Vampire Crawlers is pretty much exactly the result you’d hope for – minus some bugs. It combines all of the weapons and power-ups from the first game with clever fusions and twists on traditional deckbuilding tentpoles. Even things that are annoying — not being able to check your deck when selecting upgrade and, hard to track damage numbers — feel like quirks of the franchise. It scratches my brain in a familiar way, and the euphoric feeling of creating a broken build still feels great.

ZPF is an interesting new Mega Drive shoot 'em up that, with its key-collecting secrets, hidden bosses, stage variety and fantasy theme, feels unique. It’s been put together with a lot of love, and while its clear the development team aren’t expert shoot-'em-up designers, they’ve still done incredibly well with the hardware. It’s frustrating at times, and many will be put off by not having continues or any method of practice, but those who persevere will find an enjoyable route to high scores and one credit clears. The issue primarily is the bare-bones Switch port that has zero additions or quality-of-life features, and suffers from a juddering issue that really damages the experience. If you’re buying on Mega Drive — and it’s recommended you do so — add a point to the scoreline.