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SummaryDana Milgrom (Shauna Macdonald) is a track coach and mother who's survived a near-death car accident, only to find herself paralyzed and trapped inside her own body. Forced to communicate via an artificial voice program and hooked to a breathing machine, she becomes convinced that a terrifying presence called Nails exists inside her hospital room... Read More

Directed By:Dennis Bartok

Nails

Metascore
Available after 4 critic reviews
tbd
User score
Generally Unfavorable
3.5
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Metascore
Available after 4 critic reviews
tbd
0% Positive
0 Reviews
100% Mixed
3 Reviews
0% Negative
0 Reviews
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  • Negative Reviews
Nov 16, 2017
60
Total Film
Dennis Bartok’s sparse horror has a spooky central conceit, and just about overcomes its budgetary bumps, while Macdonald excels as the innocent.
Nov 16, 2017
60
Empire
An ordinary, if effective horror picture, is predictable fare with two big ticks to its benefit: a penchant for creep-out scares involving its looming spectre; and a committed, sympathetic performance from Macdonald.
User score
Generally Unfavorable
3.5
0% Positive
0 Ratings
67% Mixed
4 Ratings
33% Negative
2 Ratings
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Nov 19, 2023
6
S1r-R34l
A Horror Cocktail of Spectral Spookiness and Inconsistency! Cheers? Nails is like a horror cocktail mixed with a twist of spectral spookiness and a shot of inconsistency. Picture this: an "Angel of Death" ghost prowling around a Rehabilitation Centre, still busy with the killing business post-mortem. Sounds chilling, right? Well, it has its moments, some of which might leave you with goosebumps, while others make you scratch your head in ****'s start with the positives, shall we? The premise is intriguing. An "Angel of Death" ghost lurking in a Rehabilitation Centre adds a sinister twist to the care-giving setting. The varied characters are like a mixed bag of nuts - some crunchy, some bland, but enough to keep you munching through the plot. And their portrayers, especially Ross Noble as the orderly, shine brighter than a full moon on a foggy night. The cast maintains their ground, ensuring you're not left rolling your eyes when things bump in the dark. And that ending is a delightful cherry on top, leaving you simultaneously satisfied and **** oh, the hiccups! The film stumbles right out of the gate, the beginning feeling like a wobbly sprinter unsure of which lane to sprint down. You might try to figure out why it's not all clicking together like a well-oiled scare machine. And speaking of missteps, there are the plot holes the director left open for ghosts to sneak in unnoticed. Take, for instance, the unfortunate demise of the orderly. By this time, we've established the ghostly rules - ghosts share their shyness of cameras with vampires. But apparently, someone missed the memo, abandoning us in a haunted maze of contradictions when the spook shows up on the webcam but not in the ****'s talk about realism or the lack thereof. The hubby's reactions to his injured wife are as believable as a unicorn wearing a top hat. It's like trying to fit a square peg into a round hole - It might work if you whack it hard enough with a sledgehammer, but effectively leaves you wondering what went **** director's prowess in increasing tension is commendable. Incorporating the security camera footage was genius and added an extra layer. So, Nails might be the ideal creepy companion for a pleasant night in, snuggled up on the couch with someone you won't mind clutching onto when things get a bit too eerie. But have your ghostly rulebook handy because this movie might relax a few established rules to keep you on your toes.
Feb 6, 2026
1
gabrieldsanchez
Director/writer Dennis Bartok and writer Tom Abrahams give a shot to horror with the entry Nails, starring Shauna Macdonald (The Descent) and Steve Wall (Vikings, Dune: Part Two), but the film fails to convey a solid **** story follows Dana who is hospitalized after an acceident. She is struggling to recover, and to make matters worst, her room is tormented by an evil entity.Haunting stories are usually a fun premise, but Nails bores us with staleness. For starters, our protagonist, Dana, is bedridden, not much of a help to make the plot progress. She is basically just accepting the torment while asking too many questions to Dr. Ron Stengel, our exposition guy.Buddy character Trevor Helms is a mix-bag: sometimes he feels like a supporting char to Dana, sometimes he seems like an opposite force just keeping Dana at bay. Of course, the main protagonist is the evil entity, and also her husband — he just can't accept the facts —, but Trevor, who starts nice, then pretty much subdues to the inability of keeping **** backdrop narrative is alright but nothing far from ordinary haunting rationale. The entity has the same sob story than pretty much ever other evil entity on most average to mediocre **** scary factor is also absent. You get your share of cheap jumpscares and that is about it. Most clichés from haunting movies are present, and no scene felt original.I'm not sure what was the final message in this film, if any. The ending just leaves us questioning every decision, and the lack of a proper closure just sours the experience. Luckly, you only need to endure 85min of screentime.Avoid, you will find nothing here. If you are a horror junkie, ok, watch it for the nerdiness.
Nov 16, 2017
40
The Guardian
With its creepy music and only-just-adequate performances, this will serve nicely at future slumber parties for thrill-seeking tweens.
See All 3 Critic Reviews
Apr 22, 2018
1
Astor_
Basically, this is about a women who began seeing dead spirits (near death experience effect) after being victimized in a hit and run accident. There are many parts in the film that make no sense. This is one of those common bad horror films in our era. The second part is extremely bad. The ending is terrible too.
See All 6 User Reviews
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  • Fantastic Films
  • Bord Scannán na hÉireann / The Irish Film Board
Oct 25, 2017
1 h 25 m
Dublin International Film Festival
• 1 Nomination
Brussels International Festival of Fantasy Film (BIFFF)
• 1 Nomination
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