Jonathon Wilson

I Will Find You is a Harlan Coben thriller through and through, replete with all the usual nonsense and plot holes big enough to fall through, but the typical binge-ready formula remains inescapably watchable.

Industry reinvents itself in Season 4, becoming a broader, more ambitious show, but it’s a gamble that pays off in its finest, most depraved outing yet.

One Piece hasn’t lost a step in Season 2 – on the contrary, it’s better than ever, providing a rich bounty of imagination underpinned by earnest sentiment, great world-building, and lovable characters.

Vladimir is a masterfully complex and devious adaptation anchored by an award-worthy leading performance by Rachel Weisz.

Imperfect Women definitely requires some patience to get through its off-putting early episodes, but the reward is a truly enthralling, psychologically complex, and genuinely unpredictable thriller.

Run Away is a quintessential Harlan Coben thriller, but even by those standards it’s impressively dense and demented.

Land of Sin is the quintessential Nordic noir, embodying all of the visual and thematic signifiers that have made the genre so compelling and immovable in the current TV landscape.

His & Hers breaks a lot of thriller rules, and it’s about exclusively unpleasant characters, but both of these things ultimately benefit it across six tight, twisty episodes.

Girl Taken is an unconventional, slow-burn thriller that builds a story around the psychological implications of its grim premise instead of just the cat-and-mouse tension.

A Thousand Blows is undeniably darker in Season 2, and it wasn’t laugh-a-minute to begin with, but more complex character work and a knockout Erin Doherty performance more than justify its return.