Jonathon Wilson

The Idaho Murders: College Nightmare is meticulously arranged and impressively detailed, but its most striking feature is its abundance of humanity for both the victims and their surviving families.

I’m Not Afraid is both an engaging mystery and a powerful coming-of-age tale, exploring how poverty and desperation can warp a place and its people in unfathomable ways.

A more assured follow-up in just about every way, Avatar: The Last Airbender lightens the exposition load in Season 2, improves the action and visual effects, and digs more confidently into the character dynamics.

The American Experiment is a surprisingly balanced birthday celebration of enduring but messy and imperfect liberal democracy.

I Will Find You is a Harlan Coben thriller through and through, replete with all the usual nonsense and plot holes big enough to fall through, but the typical binge-ready formula remains inescapably watchable.

Industry reinvents itself in Season 4, becoming a broader, more ambitious show, but it’s a gamble that pays off in its finest, most depraved outing yet.

One Piece hasn’t lost a step in Season 2 – on the contrary, it’s better than ever, providing a rich bounty of imagination underpinned by earnest sentiment, great world-building, and lovable characters.

Vladimir is a masterfully complex and devious adaptation anchored by an award-worthy leading performance by Rachel Weisz.

Imperfect Women definitely requires some patience to get through its off-putting early episodes, but the reward is a truly enthralling, psychologically complex, and genuinely unpredictable thriller.

Run Away is a quintessential Harlan Coben thriller, but even by those standards it’s impressively dense and demented.