Christopher Gray

The film is an offbeat epic informed by a reverence for the past and a delicate wariness toward the future.

Întregalde is a sharply drawn and subtle fable about the meaning of charity and the limits of altruism.

The film questions the fixed nature of human behavior in a world whose borders are constantly shifting.

The documentary represents a city ground down by inequality and division, where millions of selves who have by and large given up on one another.

If only the film made more of the curious tension between Timothée Chalamet’s Henry and Robert Pattinson’s dauphin.

The film confirms that the ruthless knack of the wealthy and powerful to remain so is a universal impulse.

Alejandro Landes’s film depicts amorality with minimal curiosity and a surplus of numbing stylistic verve.

Corneliu Porumboiu’s film is very much a genre exercise, and a particularly Soderberghian one at that.

As Mati Diop mourns Senegal’s lost men, she honors their grief and affords them tremendous power all at once.

What's most stirring about Céline Sciamma's film is the lack of artifice in Héloïse and Marianne's feelings for one another.