Andy Seiler

This re-edited version turns one of Orson Welles' most memorable yet flawed films into a masterpiece. [Director's Cut; 18 Sept 1998, p.11E]

It could be argued that this movie's callousness toward human life is nihilistic and nasty. But Woo takes everything so absurdly far that audiences laugh at what horrified them moments before. [27Jun1997 Pg01.D]

Excitingly edited and evocatively scored, Microcosmos adapts big filmmaking techniques to tiny creatures. You get thrills, slapstick and even romance. [11 Nov 1996]

Fans will appreciate not only that the film is predictably solid and surprisingly sharp but that parts of it are just plain bad.

Gives new meaning to the phrase "not for the squeamish."

All coy and fey -- and painless to digest.

Director Dominik Moll knows how to make a gruesome-free thriller and even manages some dark laughs as he turns the screws.

Thinking isn't going to do anyone a bit of good during Blue Streak. Turn off your brain instead and you might enjoy it.

Uneven, amateurish and borderline misogynistic. But it's also very funny, and it never loses its cool.

By emphasizing surreal humor and fast-paced action instead, Rodriguez has crafted a prepubescent version of James Bond without aping that series' style.